Mumbai (Ajay Brhmatmj) Major artists: Alia Bhatt, Randeep Hooda Director: Imtiaz Ali. Music: AR Rahman. Stars: 4 There have been ma...
Major artists: Alia Bhatt, Randeep Hooda
Director: Imtiaz Ali.
Music: AR Rahman.
Stars: 4
There have been many such films in Hindi and English, which is the love of the mortgage kidnapper. Stockholm Sindrm it says in English. Imtiaz Ali's 'highway' of the plot hinges on the relationship of love like that. Imtiaz's new is that the relationship with the rhythm and pace of poetic sensibility. The main characters in the film Veera Tripathi (Alia Bhatt) and Mahavira Bhatti (Randeep Hooda) is the Bakstori. Bakstori two opposite poles smoothly combines his poignant characters. Imtiaz Ali's 'Highway', even in mainstream Hindi films and their downstream effects have different impacts. In many scenes of the film are chilling. Not only the character but the audience does not face the truth as we are stunned.
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Veera is getting married. He's married to neutral expressions method - taking part in legislation. As night falls, he is to go on a trip with my fiance default. Out of the stifling atmosphere made her feel better. Values are opening their veins, and they're going to life. He gets into the hands of criminal Maha Bhatti on Hwy. Veera kidnaps a tizzy and he is in a hurry. Later discovers that Veera is the daughter of influential industrialist MK Tripathi. Now that he is helpless Maha Veera installed properly disposed of. Veera about the affair he goes on an unknown journey. In this way, the alleged perpetrator of the people of the world Maha Veera compares. This is a refreshing freedom to capture him. He returned to be imprisoned again in freedom and prosperity. Veera beautiful attitude found expression in a dialogue - where do you come from, and where he does not want to go back, do not want to get there. The journey goes on.
Maha Veera and both are opposite temperament and character background. Private void in their life that brings them closer. The opening scene of both touching and sensitive internal sense. Looks like the clear impression that the world is not like that. Veera as many people are desperate to get out of this systematic pattern of the world. Give him permanently scarred by the childhood of Veera, which fills in the company of Mahavira. Veera on his heart and clearness of an inner frozen indifference that removes moss is evident. Mahavira above shows that harsh, ruthless and merciless, but inside delicate, fleeting and vulnerable.
Imtiaz Ali Mukesh Chhabra Designed to help all the characters have the choice of artists. Alia Bhatt seeks Veera's role is commendable and laudable. Aliya is still not acting because the nature of the effort. He just learned the ABC of acting, directed by Imtiaz Ali but he has managed to create a short poem of performance. His efforts can be seen clearly in some scenes. Hottest actresses in Hindi films, puffing scenes look into the nostril. However, Alia Bhatt and stubborn struggle Veera is well understood and expressed. In the film Randeep Hooda paradoxes. He's angry mood Bitraghunna Pinpinaht person is accurately presented. Both artists have made any impact on the film's performance. Collaborators Durgesh Kumar, Pradeep Kumar Shukla and Civil gladly gave the film is perfection.
Imtiaz Ali's film song - music special contributions. The film also Irshad Kamil pair of AR Rahman and requirements are fulfilled. Rahman and Ershad sound in the words of film Piro has Kthabhumi expressions. 'Do not think about what is behind the forward view is not "live in the present and to come pick up the wind. The beauty of the film's cinematography. Recently - the second film looks at the moment, the captivating beauty of the northern states of the country have come to corresponding sequences of the film. Anil Mehta clean Imtiaz Ali composed scenes of nature are filled color.
'Highway' by Imtiaz Ali in three couplets of Sant Kabir used diamond. Doha is one of them dedicated to the film.
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Duration - 133 minutes
